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Oggi: Contemporary Art in Italy
University of the Pacific
The Reynolds Gallery celebrates Pacific's 2009 Festival of Italian Music and Culture with Oggi: Contemporary Art in Italy, on view October 5 - November 2, 2009.
This exhibition highlights some of the current trends in contemporary Italian art. Featuring Italian artists working in Italy and in the U.S., the show includes paintings, drawings, constructions, graphic posters, and digital art in pieces that examine abstract form, love and the body, and violence and war. Artists exhibited include Bruno Aller, Aldo Bertolini, Marisa Facchinetti, Angelo Monaco, Antonio Riello, and Federico Spadoni.
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Second Story—Fifteen Years on the Line: A Survey of the Evolution of Interactive Media, 1994-2009
University of the Pacific
Visual Arts alumna Julie Beeler kicks off the Reynolds Gallery 2009 - 2010 calendar with her exhibition, Fifteen Years on the Line: A Survey of the Evolution of Interactive Media, 1994-2009. Inspired by the very first Second Story project — the clothespin multimedia mailer "Pinch"—this two-part show features over 200 Second Story projects, complemented by a playful exhibition of Beeler's exquisite handmade art quilts.
Julie Beeler (BFA '92) is the co-founder of Second Story Interactive Studios in Portland, Oregon. With a background in visual design, art history, and the liberal arts, Julie leads the studio in shaping unique, innovative, interactive experiences that pique curiosity, spur discovery, and inspire audiences. Julie has defined and sustained an approach to interactive media design that focuses on reaching diverse audiences while pushing the limits of technological innovation. From concept through completion, Julie interacts with various industry disciplines, guiding the studio to realize holistic approaches to successful projects. Julie is a frequent speaker at various conferences and schools across the country on topics ranging from interactive design methodologies to usability and the marriage of rich content and technology.
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MMIX Media
University of the Pacific
Graduating Studio Art and Graphic Design student with the Reynolds Gallery present MMIX Media, art and design work by the class of 2009. MMIX Media features graphic designers Gabriela Aschenberg, Chris Baum, Wojciech Marek, Hareem Cheema, Lamar Gibbs, Luis Gonzalez, Sarah Gutierrez, Lindsey Hart, April Ledbetter, Heather McCoy, and Adrienne Ross. It also presents studio artists Lauren Carter, Elianna Cetto, Kacie Draeger, Jean Frost, Jessica Herrera, Minh Ho, Susannah Pilcher, Brandi Young, Valerie Grissom, and Lisa Tran.
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In Dialogue with Ansel Adams
University of the Pacific
The Reynolds Gallery's juried exhibition, In Dialogue with Ansel Adams, features eleven original masterworks by famed American photographer Ansel Adams, generously loaned to us by his granddaughter, Ms. Alison Jaques. This exhibition was conceived in conjunction with the world premiere of Ansel Adams: America, a new piece for orchestra by Pacific alumnus Dave Brubeck and his son, Chris Brubeck. Over 40 artists submitted work; ten were chosen for the show.
On view in the gallery March 2 through April 10, 2009, ten contemporary photographers with national and international reputations were shown alongside the master. Nan Brown, Jack Davis, Jane Delaney, Ursula Esser, Susan Hartzell, Terry Nathan, Chris Schiller, John Smith, and the team of Byron Wolfe and Mark Klett have all been inspired by Adams, the American landscape, and the tradition of landscape photography.
Some of the work is a direct homage to Adams. Other artists capture and celebrate America's natural beauty, particularly the beauty of the San Joaquin Valley. Still others examine relationships between humankind and nature, and between landscape art and kitsch. The show offers a celebration of the American landscape, but also an examination of the ways it has been compromised.
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Mark Bowles: Following the Light
University of the Pacific
Reynolds Gallery is pleased to present Following the Light an exhibition of paintings by Mark Bowles, a native Californian artist whose work reflects his fascination of texture, form and color.
Northern California has inspired a remarkably diverse tradition and distinguished procession of landscape painters that reaches back into the 19th century. This exhibition celebrates Mark Bowles' achievement and dedication to this tradition. Bowles complicates and enriches this tradition by embracing the broad plains of the Central Valley as his preferred subject matter. His large-scale paintings are composed within the investigations and dialectic occurring between contemporary painters, moving freely among the richness of color field and representational painting.
Within these canvases Bowles distills the essence of the light, space and atmosphere, transforming the large open spaces and intricate wetlands of the Sacramento-San Joaquin Delta Region from seemingly irreducible proportions to a knowable and meditative windows overlooking our homeland.
The University extends a special thanks to the Pamela Skinner & Gwenna Howard Contemporary Art Gallery for their participation. Mark Bowles can be contacted through his web site www.markbowles.com.
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Singgalot (The Ties that Bind)
University of the Pacific
Singgalot: The Ties That Bind, on view in the Reynolds Gallery November 17 - December 19, 2008 contains images and historical documents to vividly portray the social history and the development of the Filipino community in the United States.
Singgalot initially explores the experience of Filipinos as colonial subjects and nationals, and further examines their struggles to acquire full citizenship as immigrants in the United States throughout the previous century. "The exhibition uses rare photographs and illustrations from the National Archives, the Library of Congress and personal collections to provide a glimpse into the dynamic story, culture and contemporary issues of Filipino Americans," said co-curator Franklin Odo, director of the Smithsonian Asian Pacific American Program. Singgalot is a deeply moving, dramatic and evocative narrative of Filipino American history and culture."
Singgalot (the word in the Tagalog language of the Philippines loosely translates to "the ties that bind") was developed by the Smithsonian Asian Pacific American Program and organized for travel by the Smithsonian Institution Traveling Exhibition Service.
Singgalot: The Ties That Bind, continues on a national tour through 2011 made possible through the generosity of Farmers Insurance.
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Caps and Couture: Fashion and the Urban Landscape
University of the Pacific
Caps and Couture: Fashion and the Urban Landscape, is a collaboration between undergraduate students and faculty that brings together the worlds of avant-garde fashion and cutting edge popular art to Pacific's Reynolds Gallery.
Curated by Department of Visual Arts students Madalyn Friedrich and Robin Lee with the assistance of project adviser, Professor Bett Schumacher, this exhibition explores the relationship between couture fashion and its everyday encounter with the urban environment.
Through the interplay of designer fashion and urban street art, this exhibition offers a dialogue, between art forms and how their unique expressions of beauty are defined and influence the understanding of daily life.
Caps and Couture served as inspiration for a full-scale outdoor fashion show event held on campus in the Visual Arts department. The October 18, 2009 event included local and national designers, urban/hip hop dance performance and artists' demonstrations. The show was sponsored by Crossroads Inc., Dillards, Fina, Gottschalks of Modesto, Sparrow, Wish List: A Fashion Lounge, The Darin Jon Studio, and The Safavi Institute of Cosmetology and Esthetics.
The Stockton Record published an article about the student curators and their exhibition, which can be read here.
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Gil Dellinger: A Passion for Light
University of the Pacific
The Reynolds Gallery proudly presents, A Passion for Light: A Twenty-Year Retrospective. Gleaned from Gil Dellinger's forty-year career, this solo exhibition features a generous collection of paintings spanning two decades, including the pastel work for which he is best known. Gil Dellinger is an acclaimed painter in this region and Professor Emeritus of Art at the University of the Pacific. He inspired countless students during his thirty-year career at the university, winning the Distinguished Award for Teaching Excellence and Professional Contribution in 1990.
Called a Master Pastelist by the Pastel Society of America, Dellinger excels in his pastel painting. Painting from life, his work captures majestic landscapes, peaceful pastoral scenes, the drama of the Pacific Ocean, dramatic vistas of the southwest, and any scene that catches his eye.
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It's Our Time: Come See How We Use It
University of the Pacific
The Reynolds Gallery present It's Our Time, an exhibition of art and design work by the Studio Art and Graphic Design senior class of 2008. It's Our Time features graphic design and studio art students: Christina Chinn, Diana DeLoach, Jessica Erickson, Andrea Gutierrez, Kellyn Loehr, Shali Nguyen, John Pratt, Rachel Rajala, Arlie Righos, Lisa Tran, Alex Youngblood and Amanda Zobel.
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Deanna Hunt: Constructs and Communion
University of the Pacific
Pacific alumna Deanna Hunt presents a solo exhibition of her two-dimensional works at the Reynolds Gallery. Influences of her travels here and abroad are evident in the interplay of form and light, architecture and color.
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New Work, New Faculty: Jill Vasileff and Stephen Eakin
University of the Pacific
In this two-person show, installation artist, Pacific alum, and adjunct professor Stephen Eakin and painter and adjunct professor Jill Vasileff revealed their latest work. In works such as Residue (2007), Eakin explores the connections between art, archiving, and death. The lightboxes in this installation contain slides of everything the artist owns. Gallery visitors are invited to select a slide, which Eakin then bequeaths to them in his will. WWW.STEPHENEAKIN.COM
Vasileff is interested in "synthetic" (i.e. manufactured, not found in nature) color that is magnetically beautiful, but also potentially irritating. She works toward manipulating color so that it straddles the lines between beauty and tension and simplicity and chaos. She often uses repetitive visual elements such as the grid and stripe.
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Contemporary Japanese Printmaking from the Ren Brown and Don Soker Galleries
University of the Pacific
This exhibition of work from the Ren Brown and Don Soker Galleries : www.renbrown.com, www.donsokergallery.com featured over 50 prints made by 21 different artists between 1926 and 2006. There was a stunning range of styles on view.
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Hatching Great Ideas
University of the Pacific
The 2007 senior exhibition, Hatching Great Ideas, is a culmination of art, design and research produced by Pacific undergraduate students for the Bachelor of Arts and Bachelor of Fine Arts degrees in Graphic Design and Studio Art. Students explore themes within their chosen disciplines.
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Gregory Kondos: Mount Olympus to the Pacific Rim
University of the Pacific
This exhibition featured forty paintings by Kondos, a native Californian of Greek ancestry who, at 84, is one of California's elder statesmen of fine art. His confident landscape paintings, made from the direct observation of nature, are colorful, reverent, and uplifting. Kondos recently won the Golden Bear Award, California's most prestigious honor for lifetime achievement in arts and entertainment.
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Transgressions: Transgender, Transnational, Transsexual
University of the Pacific
Department of Art and Graphic Design students Lauren Gallow, Harrison W. Inefuku, and Lyna Nguyen asked artists to consider how contemporary American society defines their identities. The work on view, such as Wendy Kawabata's Stemma, 2006-7, questioned the categorizations of race, gender, sexuality, and nationality imposed on many of us.
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Barbara Flaherty: Ancient Gardens and Sacred Groves
University of the Pacific
A retrospective look at the work of painter and Studio Art professor Barbara Flaherty. This exhibition includes large paintings and prints highlighting some of professor Flaherty's favorite themes and cultural influences.
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Hou, Ning: Paintings from the Sacramento - San Joaquin Delta
University of the Pacific
2006 Pacific Artist-in-Residence Ning Hou was born and raised in Shanghai, China. He arrived in the US at age 27 with the American attitude that "From the base of a free country, I can achieve anything. For me it was the ability to offer perseverance, vision of beauty and peace to all who may find it within my art." In this show, Hou presented portraits of the Sacramento and San Joaquin Delta region.
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Viewpoint at Pacific
University of the Pacific
Reynolds Gallery present an exhibition celebrating Sacramento's Viewpoint Photographic Art Center's decade of leadership for the Central and Northern California regions' photographers and their community of support.
The Reynolds Gallery hosts numerous exhibitions throughout the school year. Enjoy the scope of our past efforts to bring high quality shows featuring student and professional artists from the around the country to the Stockton campus.
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