What You See is Not Always the Truth: Effect of Music on Visual Perception
Poster Number
18B
Format
Poster Presentation
Faculty Mentor Name
Zsolt Palatinus
Faculty Mentor Department
Psychology
Graduate Student Mentor Name
Leah Ward
Abstract/Artist Statement
In our experiment, we conducted a systematic replication of Prinz & Seidel (2012). Through the utilization of music, we examined whether the visual system could easily be influenced by other perceptual systems. Thirty students at the University of the Pacific saw ambiguous figures as either happy or threatening, depending on the condition they were placed in. We had two experimental groups, the happy and fearful condition, along with a control group (no music). Those placed in the happy condition listened to Grieg’s Morning Wood (1875/1993), while those in the fearful condition listened to Krzysztof Penderecki’s Threnody to the Victims of Hiroshima (2012/1960). To account for confounding variables, we issued a pre-assessment that measured the stress of each participant. Similar to Prinz & Seidel (2012), participants were shown the 3 ambiguous figures, along with the two different types of music to be played in the background. Data collection is ongoing. Data will be analyzed using a One-way ANOVA statistical test. along with several graphs, that mirrors the previous study. All in all, we can expect to find evidence that suggests that the modularity of the visual system is weak and therefore can be easily influenced.
Location
DeRosa University Center, Ballroom
Start Date
29-4-2017 10:00 AM
End Date
29-4-2017 12:00 PM
What You See is Not Always the Truth: Effect of Music on Visual Perception
DeRosa University Center, Ballroom
In our experiment, we conducted a systematic replication of Prinz & Seidel (2012). Through the utilization of music, we examined whether the visual system could easily be influenced by other perceptual systems. Thirty students at the University of the Pacific saw ambiguous figures as either happy or threatening, depending on the condition they were placed in. We had two experimental groups, the happy and fearful condition, along with a control group (no music). Those placed in the happy condition listened to Grieg’s Morning Wood (1875/1993), while those in the fearful condition listened to Krzysztof Penderecki’s Threnody to the Victims of Hiroshima (2012/1960). To account for confounding variables, we issued a pre-assessment that measured the stress of each participant. Similar to Prinz & Seidel (2012), participants were shown the 3 ambiguous figures, along with the two different types of music to be played in the background. Data collection is ongoing. Data will be analyzed using a One-way ANOVA statistical test. along with several graphs, that mirrors the previous study. All in all, we can expect to find evidence that suggests that the modularity of the visual system is weak and therefore can be easily influenced.