Document Type

Article

Publication Title

Journal of Religion and Film

Department

Religious Studies

ISSN

1092-1311

Volume

7

Issue

2

First Page

1

Last Page

22

Publication Date

10-1-2003

Abstract

This essay examines the depiction of religion, race, and ethnicity in four films: The Mummy, Stargate, The Ten Commandments, and Prince of Egypt. Each film - explicitly or implicitly, deliberately or not - uses ancient Egyptian religion as a foil to dramatize American concerns about race and ethnicity. The foil is the mysterious, and often false, religiosity of an often Orientalized religious and ethnic "other."

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