Events from 2020
The Benefits of a Summative Examination for Undergraduates, Keith Hatschek and Veronica Wells
Submissions from 2019
All Access: A Backstage Pass to a Collaborative, Undergraduate Music Journal, Michele Gibney, Keith Hatschek, and Nicole Wasnock
Submissions from 2016
Teaching Preparation for the Portfolio Career, Keith Hatschek and Jonathan Latta
Submissions from 2015
How the Beatles Revolutionized Sound Recording, Keith Hatschek
Social Media for Music Creatives, Keith Hatschek
Submissions from 2014
Louis Armstrong: American Genius, Keith Hatschek
Monetize Your Music Assets: A Workshop to Spark Your Creativity, Keith Hatschek
Portfolio Careers in Music, Keith Hatschek
A Tribute to Dave Brubeck, April 7-13, 2014, Keith Hatschek and Ricky Riccardi
Developing Information Literacy Skills for Tomorrow’s Music Industry Leaders, Keith Hatschek and Veronica A. Wells
Submissions from 2013
Making Money with Your Original Music, Keith Hatschek
The Jazz Ambassadors: Evaluating the Impact of the Dave Brubeck Quartet’s 1958 Tour of Poland, Keith Hatschek
Tour of Bay Area Music Archives, Keith Hatschek
Submissions from 2012
Reflecting on The Real Ambassadors, Keith Hatschek
You are the CEO, Keith Hatschek
Submissions from 2011
Could God Be Black? One Woman’s Journey Toward Social Justice – Iola Brubeck and The Real Ambassadors, Keith Hatschek
Results and Preliminary Analysis of Survey Data on Course Distributions in Music Industry Degree Programs, Keith Hatschek
Submissions from 2010
Freedom Sounds: Polish Responses to the Dave Brubeck Quartet’s 1958 State Department Tour, Keith Hatschek
Submissions from 2009
The Voice of Freedom: The Role of Dave Brubeck in Polish Cold War Jazz Culture, Keith Hatschek
