Faculty Mentor Name
Marie Lee
Faculty Mentor Department
Department of Art, Media, Performance and Design
Research or Creativity Area
Humanities & Arts
Abstract
Music has always been my greatest source of inspiration. I am especially drawn to alternative bands, working to craft visual identities that amplify their energy, ethos, and unique sound. My design approach fuses bold aesthetics with raw emotion, transforming music into striking, unforgettable visuals that deeply resonate with audiences. Each project I take on is more than just a design—it’s a visual extension of the artist’s identity, an invitation for listeners to step into their world. One of my most compelling pieces is the album cover for Poor Elizabeth, which captures a fusion of noir aesthetics and gritty, alternative style. The deep red background, combined with a distressed illustration of a handgun and a vintage-style woman, creates a cinematic, pulp-fiction-inspired visual language. This imagery conveys themes of danger, mystery, and rebellion, perfectly reflecting the band’s sound and lyrical essence. Beyond album covers, I aim to create immersive visual narratives that strengthen an artist’s brand across all platforms. From posters and merchandise to social media graphics, my work ensures that an artist’s message is not only heard but also seen, felt, and remembered. I believe that aesthetics in music are just as important as the music itself—both work together to shape an artist’s identity and impact. Through my designs, I strive to bridge the gap between sound and sight, crafting visuals that don’t just accompany music but enhance and define it. Music fuels my creativity, and design allows me to bring that passion to life.
Location
Reynolds Gallery and Art Building Hallways
Start Date
10-4-2025 6:00 PM
End Date
9-5-2025 8:00 PM
Poor Elizabeth
Reynolds Gallery and Art Building Hallways
Music has always been my greatest source of inspiration. I am especially drawn to alternative bands, working to craft visual identities that amplify their energy, ethos, and unique sound. My design approach fuses bold aesthetics with raw emotion, transforming music into striking, unforgettable visuals that deeply resonate with audiences. Each project I take on is more than just a design—it’s a visual extension of the artist’s identity, an invitation for listeners to step into their world. One of my most compelling pieces is the album cover for Poor Elizabeth, which captures a fusion of noir aesthetics and gritty, alternative style. The deep red background, combined with a distressed illustration of a handgun and a vintage-style woman, creates a cinematic, pulp-fiction-inspired visual language. This imagery conveys themes of danger, mystery, and rebellion, perfectly reflecting the band’s sound and lyrical essence. Beyond album covers, I aim to create immersive visual narratives that strengthen an artist’s brand across all platforms. From posters and merchandise to social media graphics, my work ensures that an artist’s message is not only heard but also seen, felt, and remembered. I believe that aesthetics in music are just as important as the music itself—both work together to shape an artist’s identity and impact. Through my designs, I strive to bridge the gap between sound and sight, crafting visuals that don’t just accompany music but enhance and define it. Music fuels my creativity, and design allows me to bring that passion to life.
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