Tree of Life: Latinas Who Shape History
Research or Creativity Area
Humanities & Arts
Abstract
My work, Tree of Life: Latinas Who Shape History, honors the often-overlooked contributions of Latinas who have left a mark on our past and present. As a creator, I employ clay as a medium for introspection and to challenge the portrayal of identity, particularly from the perspective of a woman and a Mexican-American. My creations delve into themes of ethnicity, gender equality, and sexual identity while echoing my journey to artistry as a late-blooming avenue for personal expression. My primary material is a locally sourced Red Velvet clay, chosen for its ties to the traditional red clay in Mexican ceramics. This project saw me expand my horizons to include paper clay, which is conducive to slab construction, offers remarkable durability, and results in a lighter final sculpture. My educational journey at San Joaquin Delta College in 2017, specifically the Women in History and Women in Literature classes, unveiled the compelling tales of women. These stories inspired me to use my art to elevate the recognition of women’s accomplishments. This body of work invites audiences to uncover the concealed stories, embrace our varied backgrounds, and acknowledge the inherent power in the narratives of these remarkable women.
Location
Art and Media Student Exhibition; Reynold's Gallery, Stockton, CA
Start Date
9-4-2024 9:00 AM
End Date
11-5-2024 5:00 PM
Tree of Life: Latinas Who Shape History
Art and Media Student Exhibition; Reynold's Gallery, Stockton, CA
My work, Tree of Life: Latinas Who Shape History, honors the often-overlooked contributions of Latinas who have left a mark on our past and present. As a creator, I employ clay as a medium for introspection and to challenge the portrayal of identity, particularly from the perspective of a woman and a Mexican-American. My creations delve into themes of ethnicity, gender equality, and sexual identity while echoing my journey to artistry as a late-blooming avenue for personal expression. My primary material is a locally sourced Red Velvet clay, chosen for its ties to the traditional red clay in Mexican ceramics. This project saw me expand my horizons to include paper clay, which is conducive to slab construction, offers remarkable durability, and results in a lighter final sculpture. My educational journey at San Joaquin Delta College in 2017, specifically the Women in History and Women in Literature classes, unveiled the compelling tales of women. These stories inspired me to use my art to elevate the recognition of women’s accomplishments. This body of work invites audiences to uncover the concealed stories, embrace our varied backgrounds, and acknowledge the inherent power in the narratives of these remarkable women.
