Submissions from 2002
Fashionably Objective: When the Politics of Epistemology Encounter Progressive Political Representation in Documentary Film, Teresa Bergman
Feminist Pedagogy and Production, Teresa Bergman
The Camera as Killer in The Blair Witch Project, Teresa Bergman
Submissions from 2001
Orientational Moves in the California State Railroad Museum 1981 and 1991 Orientation Films, Teresa Bergman
The Medium is Only Part of the Message in The Blair Witch Project, Teresa Bergman
Submissions from 2000
Ruminations on the 1997 Western States Communication Association Conference, Teresa Bergman
The Rhetoric of Documentary Film and Mythic Representation: In the Shadow of the Stars, Teresa Bergman
Stumbling Towards Excellence: Meeting Student Needs and Organizational Challenges., Mary J. Lomax-Ghiraduzzi
Working with the Distressed Student, Mary J. Lomax-Ghiraduzzi
Submissions from 1999
Autobiography, Dialogic Engagement, and Madness in Complaints of a Dutiful Daughter, Teresa Bergman
Objectively Speaking: Reports from the Documentary Field, Teresa Bergman
Submissions from 1998
Bakhtin’s Dialogic Model and Complaints of a Dutiful Daughter, Teresa Bergman
Team Building, Leadership Development., Mary J. Lomax-Ghiraduzzi
