The Psychology of Character

Presenter Information

Joshua Mohr

Location

Benerd School of Education, Room 117

Start Date

17-5-2019 9:00 AM

End Date

17-5-2019 10:15 AM

Description

We will examine how setting might be a useful frame of reference for rendering a character’s inner life, the heartbeats and brainwaves of our main players. For if we’re interested in plumbing the existential depths of our protagonists, perhaps our readers need to traverse the mind and metaphorical heart as a 360 degree location, the setting of the mind. Camaraderie between reader and main character is vital if we’re to establish a lasting, poignant connection between them. But how do we go about building that? What if we render a character’s consciousness as though it’s a cogent ecosystem for the reader to inhabit?

Comments

Joshua Mohr is the author of five novels, including “Damascus,” which The New York Times called “Beat-poet cool.” He’s also written “Fight Song” and “Some Things that Meant the World to Me,” one of O Magazine’s Top 10 reads of 2009 and a San Francisco Chronicle best-seller, as well as “Termite Parade,” an Editors’ Choice in The New York Times. His novel “All This Life” won the Northern California Book Award. He’s written a memoir, “Sirens,” and is under contract with FSG for the second installment. His next novel, “Get Rich,” will be published by FSG in winter 2021 and has already been optioned by Circle of Confusion Television Studios. Recently, AMC bought his first TV show about a small time crime family.

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May 17th, 9:00 AM May 17th, 10:15 AM

The Psychology of Character

Benerd School of Education, Room 117

We will examine how setting might be a useful frame of reference for rendering a character’s inner life, the heartbeats and brainwaves of our main players. For if we’re interested in plumbing the existential depths of our protagonists, perhaps our readers need to traverse the mind and metaphorical heart as a 360 degree location, the setting of the mind. Camaraderie between reader and main character is vital if we’re to establish a lasting, poignant connection between them. But how do we go about building that? What if we render a character’s consciousness as though it’s a cogent ecosystem for the reader to inhabit?