Interviewer

Shan Sutton

Transcription

SS: And, a similar concept is polyrhythm. Can you give us a brief explanation about polyrhythm, and your incorporation of it into your playing?

DB: Yeah. One of the best examples of it is my solo in It's a Raggy Waltz at Carnegie Hall. [PLAYS PIANO]

And you sing, "One, two, one, two," is in this hand. [PLAYS PIANO] It's a waltz. It's a Raggy Waltz.

[PLAYS PIANO]

So, you've got, "Boom, ching, boom, ching," going in the left hand, and, "One, two, three," in this hand.

SS: So, much like polytonality, it's multiple, but this time it's multiple rhythms within a given tune. Is that right?

DB: Yeah.

Date Original

2007

Date Digital

June 2017

Type

Moving Image

Format

video/h264

Resource Identifier

DVD2-20-Polyrhythm

Rights Management

To purchase copies of images and/or obtain permission to publish them, see http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections/Fees-and-Forms-.html

Publisher

Holt-Atherton Special Collections, University of the Pacific Library in conjunction with the Experience Music Project

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