A selection of conference presentations and lectures given by faculty in the College of the Pacific - Department of Modern Languages & Literature at University of the Pacific.

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Submissions from 2018

Consciousness in the Abyss: Benjamin Fondane and the Modern World, Cosana Maria Eram

Labyrinths of the Literary World: The Writings of Bárbara Jacobs, Traci Roberts-Camps

Submissions from 2017

Crossing Borders: Sex and Gender in Lucía Puenzo’s Films, Traci Roberts-Camps

Submissions from 2016

Dada 100, Cosana Maria Eram

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Dada Scandals, Cosana Maria Eram

Elsa Von Freytag-Loringhoven, The Spectral Woman of the New York Avant-Garde, Cosana Maria Eram

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France’s Response to Terrorism, Cosana Maria Eram

Isidore Isou, la pornographie comme critique sociale, Cosana Maria Eram

Speaking East, Lettrism Now and Then, Cosana Maria Eram

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The Avant-Garde Logic of Dispute, Cosana Maria Eram

Why Do They Talk about Paris?, Cosana Maria Eram

Liminal Spaces in Roberto Bolaño’s Una novelita lumpen and Alicia Scherson’s Film Adaptation Il future, Traci Roberts-Camps

Secrets of the Past: Hermanas by Julia Solomonoff and Amu by Shonali Bose, Traci Roberts-Camps

Submissions from 2015

Family Trauma, Cosana Maria Eram

Literary Networks, Cosana Maria Eram

Women Filmmakers of Ecuador, Traci Roberts-Camps

Women Filmmakers of Ecuador, Traci Roberts-Camps

Submissions from 2014

Literary Adaptations, Cosana Maria Eram

Writing Of(f) Dada History, Cosana Maria Eram

Animal and Youth Subjectivity in Lucía Puenzo’s Novels and Films, Traci Roberts-Camps

Postmodern Parody and Fragmentation in Cristina Rivera Garza’s Verde Shanghai, Traci Roberts-Camps

Submissions from 2013

Being Brazilian: National Identity in Tizuka Yamasaki’s Gaijin I: Os caminhos da liberdade and Gaijin II: Ama-me como sou, Traci Roberts-Camps

Submissions from 2012

Isodore Isou: the Avant-Garde After, Cosana Maria Eram

L’Intermédialité comme pratique d’enseignement, Cosana Maria Eram

Travel in the Films of Suzana Amaral, Traci Roberts-Camps

Submissions from 2011

Borrar a México del mapa: relaciones de amor y odio entre Ciudad Juárez y El Paso, Martín Camps

Encuentro de escritores de Ciudad Juárez, Martín Camps

Hierofanías nacionales: el cine religioso en México / National Hierophanies: religious cinema and the formation of the Mexican soul, Martín Camps

National Spirituality in Mexico’s Film, Martín Camps

Viaje y migración japonesa en O sol se põe em São Paulo, de Bernardo Carvalho, Martín Camps

Parallelism in Carmen Luz Parot’s Estadio Nacional, Traci Roberts-Camps

Submissions from 2010

Dialogue Across Borders: Poetry of Mexican and American Poets, Martín Camps

La voz ausente: Contos Negreiros de Marcelino Freire, Martín Camps

The Female Body as Spectacle: Ángel de fuego by Dana Rotberg, Traci Roberts-Camps

Submissions from 2009

Historia y literatura en la frontera de México y Estados Unidos, Martín Camps

Seeing is Believing: Religious Cinema in Mexico, Martín Camps

Children of Saturn: The Work of Argentine Director and Novelist Lucía Puenzo, Traci Roberts-Camps

Sandra Cisneros: Caramelo and The House on Mango Street, Traci Roberts-Camps

Submissions from 2008

Bilingual Poetry Reading, Martín Camps

Border Poetry, Martín Camps

La civilización bárbara: una lectura ecológica de Don Segundo Sombra, Martín Camps

La esperanza del desesperado: Religión y humanismo en la poesía de Vallejo, Martín Camps

Aquí solo encontramos amigos: La solidaridad femenina en las películas de María Novaro, Traci Roberts-Camps

De noche vienes by Elena Poniatowska, Traci Roberts-Camps

From the Mexican Revolution to the Sexual Revolution, and Beyond, Traci Roberts-Camps

Submissions from 2007

El cuerpo del delito: Los motivos de Caín de José Revueltas, Martín Camps

El regreso a la naturaleza en la narrativa de Leonardo Da Jandra, Martín Camps

Nature as Articulate and Inspirited: Oficio de tinieblas by Rosario Castellanos, Traci Roberts-Camps

Sandra Cisneros, Caramelo: (In)visibility and the Female Body, Traci Roberts-Camps

Submissions from 2006

El amor en los tiempos de castas: Angeles del Abismo de Enrique Serna, Martín Camps

Parábolas posmodernas: La señora de la fuente de Luis Arturo Ramos, Martín Camps

The Female Body as Project in Julieta García González’s Vapor, Traci Roberts-Camps

Submissions from 2004

Museos Iu Es Ei: La crónica fronteriza de Luis Arturo Ramos, Martín Camps

Narrativa mexicana de fin de siglo: ‘Rainbows at Seven Eleven’ de Luis Arturo Ramos, Martín Camps

Response to a table in Body Politics, Martín Camps

Round table discussion on contemporary Mexican poetry, Martín Camps

The Literature of Migration in Mexico, Martín Camps

Abjection, Nation, and the Prostitute’s Body: Nadie me verá llorar, Cristina Rivera Garza, Traci Roberts-Camps

Elena Garro, Los recuerdos del porvenir: Violence, Space, and the Female Body, Traci Roberts-Camps

Submissions from 2003

Desierto sol, Martín Camps

La ciudad desmembrada: Amor propio e Y retiemble en sus centros la tierra de Gonzalo Celorio, Martín Camps

The left in Mexico, Martín Camps

Violencia y ciudad en Amores Perros, Martín Camps

Between the Mexican Revolution and the Sexual Revolution: Entre Pancho Villa y una mujer desnuda, Traci Roberts-Camps

Submissions from 2002

La frontera de cristal de Carlos Fuentes: la frontera en los laberintos de la identidad, Martín Camps

La técnica del extrañamiento en The House on Mango Street de Sandra Cisneros y Las hojas muertas de Bárbara Jacobs, Traci Roberts-Camps

Submissions from 2001

Tendencias del postmodernismo en Madero el otro de Ignacio Solares, Martín Camps

La técnica del extrañamiento en Las hojas muertas y Adiós humanidad de Bárbara Jacobs, Traci Roberts-Camps

Submissions from 1999

La poesía de Francisco Hernández, Martín Camps