Submissions from 2017
Publishing in the Humanities Journals, Cynthia Dobbs
Writing to Learn/Learning to Write, Cynthia Dobbs
Submissions from 2016
Curating the Racial Imaginary: Claudia Rankine’s American Lyrics, Cynthia Dobbs
Materiality and the 'Splendid Failures' of Lyric Protest: James Agee, Walker Evans, and Claudia Rankine, Cynthia Dobbs
Race-ing Disease, Tracing Etiology in Claudia Rankine’s 'Don’t Let Me Be Lonely', Cynthia Dobbs
Submissions from 2015
Racism as Public Feeling: Claudia Rankine’s American Lyrics, Cynthia Dobbs
Submissions from 2014
The Traveling South: Ralph Ellison in New York, 1936, Cynthia Dobbs
Submissions from 2012
Home Is Not A Little Thing: Gender, Diaspora and Nostalgia in 'Paradise', Cynthia Dobbs
Submissions from 2010
Developing a Faculty Summer Seminar for Diversifying the Curriculum, Cynthia Dobbs
Engaging Faculty and Students in Writing-Intensive Courses, Cynthia Dobbs
Looking Back After Katrina: Faulkner’s 1920's New Orleans, Cynthia Dobbs
Submissions from 2008
International Warfare and the ‘Unhomely’ Home in Toni Morrison’s Paradise, Cynthia Dobbs
Submissions from 2006
In and Of Itself': Faulkner’s Mules and Southern Singularity, Cynthia Dobbs
Submissions from 2005
Everyday Use: Tradition, Adaptation, and Appropriation in/of African American Culture, Cynthia Dobbs
Submissions from 2002
Sound and Vision/Blindness and Insight: Fingering Paul De Man’s Blues in 'Invisible Man', Cynthia Dobbs
Submissions from 2001
The Ballot, the Bullet, the Building: Postmodern Architecture, Modernist and History, Black Dystopia in Toni Morrison’s Paradise, Cynthia Dobbs
Black Modernism at the Crossroads: Toni Morrison’s Paradise, Cynthia Dobbs, Daphne Lamothe, Rena Fraden, and Ed Pavlic
Submissions from 1999
Incest, Homosexual Desire, and Cultural Hybridity in Arturo Islas’ The Rain God and John Sayles’s Lone Star, Cynthia Dobbs
Submissions from 1998
Impossible Monuments: Memorial Bodies in Beloved and The Sound and the Fury, Cynthia Dobbs
