A selection of published articles from faculty members of the Conservatory of Music at University of the Pacific.

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Submissions from 2016

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Are high-res audio and $60 CDs the future of music?, Keith Hatschek

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Can radio boost your music career? Pt. 1: Commercial vs. non-commercial radio, Keith Hatschek

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Can radio boost your music career? Pt 2: Non-commercial radio and indie music, Keith Hatschek

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Crowdfunding 2.0: from project funding to career planning, Keith Hatschek

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Maintaining vocal health for singers, Keith Hatschek

The Song Machine: Inside the Hit Factory, Keith Hatschek

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Add a little jelly to your home studio recordings, Keith Hatschek and Robert Bassett

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After The Beatles: Paul McCartney’s bass playing, Part II, Keith Hatschek and Robert Bassett

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Music streaming 2016, Part 1: the current streaming landscape, Keith Hatschek and Robert Bassett

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Music streaming 2016, Part 2: the complex revenue equation, Keith Hatschek and Robert Bassett

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The creative genius of Paul McCartney’s bass lines, Keith Hatschek and Robert Bassett

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Guitar effects pedals and the evolution of music – Part 1, Keith Hatschek and Joshua Monley

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Part 2: The evolution of guitar effects pedals – today’s market, Keith Hatschek and Joshua Monley

Submissions from 2015

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Are you ready to work with a vocal producer?, Keith Hatschek

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Fred Goodman. Allen Klein: The Man Who Bailed Out The Beatles, Made the Stones and Transformed Rock & Roll, Keith Hatschek

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Guitar care: humidity extremes can damage your instrument, Keith Hatschek

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How to develop short, mid, and long-term music career goals, Keith Hatschek

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Are your home studio acoustics killing your mix?, Keith Hatschek and Jeff Crawford

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Yoga for musicians, Keith Hatschek and Brandon Dill

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Engage your audience and create super fans, Keith Hatschek and Melissa Ewing

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A look at Ringo Starr’s enduring musical influence, Keith Hatschek and Peter Hackett

Submissions from 2014

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A portfolio music career in action, Keith Hatschek

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Avoiding common songwriting obstacles, Keith Hatschek

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Guitar intonation: how to keep your guitar in tune, Keith Hatschek

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How to make YouTube work for you, Keith Hatschek

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(Irreverent) Recording tips from Mitch Easter, Keith Hatschek

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Make a career in music: seven rules to put you on track, Keith Hatschek

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Music streaming: friend or foe to the independent musician?, Keith Hatschek

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Sustain your music career – nine insights to help you do it, Keith Hatschek

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Tax tips for the working musician, Keith Hatschek

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The road to becoming a successful songwriter, Keith Hatschek

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Vocal exercises – Vocal warm ups for singing to connect breath, vibration, and resonance, Keith Hatschek

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Vocal exercises – Vocal warm ups for your upper register, Keith Hatschek

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Wax is back – and the vinyl record revival is good news for indie artists, Keith Hatschek

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A study in record production: Miranda Lambert and Beck, Keith Hatschek and Jeff Crawford

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Developing Information Literacy Skills for Tomorrow’s Music Industry Leaders, Keith Hatschek and Veronica Wells

Submissions from 2013

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A Great Live Music Performance Requires More Than Being Rehearsed, Keith Hatschek

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Artist development in the new age, Keith Hatschek

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Creating Magical Moments In Your Live Music Performance, Keith Hatschek

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Don’t Rely on Music Tastemakers – Be One!, Keith Hatschek

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Kenneth LaBarre, Director; Hank Neuberger, Producer. Lady Antebellum: Own the Night World Tour (DVD). Eagle Rock Entertainment, 2012 (124 minutes, NTSC). www.eagle-rock.com, Keith Hatschek

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Let’s Pay Music Artists Less – The Fight for Internet Radio Fairness Ain’t Done Yet, Keith Hatschek

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Making Money With Music Licensing – Part 2: Creating Value and Income, Keith Hatschek

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Making Money With Music Licensing – Part 3: Who’s Buying and How to Connect, Keith Hatschek

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Making money with music licensing – Part I: Copyrights and revenue, Keith Hatschek

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Retaining your master rights is smart business, Keith Hatschek

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RJ Smith. The One: The Life and Music of James Brown. New York: Gotham Books (Penguin Group), 2012. www.us.penguingroup.com, Keith Hatschek

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The Introverted Musician In The Digital Music Age, Keith Hatschek

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Breaking Down The Pop Ballad, Keith Hatschek and Jeff Crawford

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Isolation headphones and your home recording, Keith Hatschek and Jeff Crawford

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Developing your artist brand, Keith Hatschek and Dana Myers

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Running your own indie record label, Keith Hatschek and Casey Newlin

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Using a MIDI Controller In Your Home Studio, Keith Hatschek and Anthony Sanchez

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Using MIDI Controllers On Stage, Keith Hatschek and Anthony Sanchez

Submissions from 2012

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How Taylor guitars are made, Keith Hatschek

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Music licensing and leveraging your songs, Keith Hatschek

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Music publishing and how Michael Jackson came to own The Beatles’ songs, Keith Hatschek

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Vintage guitars for fun, profit, and a little piece of history, Keith Hatschek

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Recording Studio Microphones: Good, Better, and Wow!, Keith Hatschek and Jeff Crawford

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Signal Processing For The Home Studio Owner: Part 1, Compressors, Limiters, and EQ, Keith Hatschek and Jeff Crawford

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Signal Processing For The Home Studio Owner: Part 2, Gates, Delay, and Reverb, Keith Hatschek and Jeff Crawford

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How to leverage your YouTube music channel, Keith Hatschek and Samantha Juneman

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A Musician’s Guide to Search Engine Optimization (SEO), Keith Hatschek and Bryce McLaughlin

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Vocal Health Basics – How to Properly Care for Your Voice, Keith Hatschek and Casey Newlin

Submissions from 2011

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Anatomy of a Cover Song – Four takes on "Big Yellow Taxi", Keith Hatschek

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Balancing Music Industry Curricula in Undergraduate Degree Programs: A Course Distribution Survey and Analysis, Keith Hatschek

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Copyright basics: exclusive rights, licensing lingo, and more, Keith Hatschek

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Finding money for your project – a look at Kickstarter and other fan-funding sites, Keith Hatschek

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Optimizing your music for digital distribution – Sonnox’s Fraunhofer Pro-Codec in the studio, Keith Hatschek

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Performance Contracts: For private events, weddings, and special performances, a band contract is key., Keith Hatschek

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Using compressors and limiters, Keith Hatschek

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How to Land a Music Festival Gig, Keith Hatschek and Casey Newlin

Submissions from 2010

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Learning That is Greater Than the Sum of Its Parts: Efforts to Build an Integrative Learning Model in Music Management, David Chase and Keith Hatschek

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Creating a great composite vocal recording, Keith Hatschek

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Recording with Reverb and Echo – Tips and Lessons from Six Classic Tracks, Keith Hatschek

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Sampling Safely – A Primer to Avoiding Lawsuits, Keith Hatschek

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The Impact of American Jazz Diplomacy in Poland During the Cold War Era, Keith Hatschek

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Online Collaboration, Keith Hatschek and Casey Newlin

Submissions from 2009

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Can’t you hear me knockin’? Practical strategies to protect your hearing, Keith Hatschek

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Drum Mic Showdown, Keith Hatschek

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Five Things to Consider for Your Home Project Studio, Keith Hatschek

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Holiday Gear Guide, Keith Hatschek

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Pro Studio: Laptop Recording 101, Keith Hatschek

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The $999 Home Studio, Keith Hatschek

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When It Pays To Have a Home Recording Rig, Keith Hatschek